枯荷葉池に大鴫 (冬)

kare kayou ike ni ooshigi (fuyu)

Cold-withered Lotus Leaves, Pond, and Long-billed Dowitcher (Winter)

枯荷葉池にオオハシシギ (冬)


Original Number

58


ADDITIONAL NOTES FOR THIS DESIGN
Currently Documented Edition Signature and Seal Markings:
Edition I: 楽山居 Raku-zan Kyo + Seal A
Edition II: 楽山篁子生 Raku-zan Kou-shi-sei + Seal B
Edition III: 楽山篁子生 Raku-zan Kou-shi-sei + Seal B

[For illustration of seals listed by seal code letter, see the Seals article. For edition characteristics applicable to this series as a whole, see the Edition article.]

Design History:
This woodblock print was produced from an original painting on silk dating from the late 1920s whose current location is unknown. The indentification of this design as number 58 is original to Rakusan who published the print as the 58th design in his series of one hundred woodblock prints called 楽山花鳥畫譜 Rakuzan Kachou Gafu, lit. 'Rakusan's Flower and Bird Print Series'. Initial edition I publication of 58 was in September 1931 (or perhaps slightly later) in installment twenty-nine (of fifty). However, additional edition I printings of 58 may have continued until as late as 1933. The copy illustrated here is typical of edition I.

Very few later edition copies of 58 are currently known. Edition II printings closely resemble those of edition I except for the signature and seal. Edition II copies of 58 can only be dated approximately to between 1936 and 1941. An edition II copy of 58 was included in a Rakusan presentation album from August 1941.

Edition III printings of 58 can only be dated approximately to between 1948 and 1955. Edition III copies may be identified at a glance by color differences from editions I and II. For edition III of 58 Rakusan chose a cooler tan background, significantly lighter at the top and darker at the bottom with bokashi in between. The other colors are all also slightly different.

The title-caption for 58 is unusual in that it is one of only three in this series which mention a landform feature in addition to a botanical and a bird. Here, 池 ike is 'pond'.

Copies in Public Collections:
Edition II: Mead Art Museum, Amherst College, Amherst, MA, USA; (1942.44.d) [illustrated online].

Species Illustrated:
Lotus (Sacred Lotus), Nelumbo nucifera, is usually called 蓮, 藕, はす, ハス, hasu, 'lotus', which is also a general name for any kind of lotus. Botanically, the species is today often called instead 大賀蓮, おおがはす, オオガハス ooga-hasu, lit. 'god lotus'. Lotus is culturally very important for its religious connections as well as for food and ornamental usage. There are many names which can be applied to this species, and several other kinds of plants have names which incorporate names for 'lotus'. Here Rakusan used a specialized term, 荷葉, ka-you, 'lotus leaf' instead of the name of the plant. The descriptor 枯 kare usually means 'dead, dried', but in this context 'cold-withered' or 'winter-dormant' is more accurate.

Long-billed Dowitcher, Limnodromus scolopaceus, is today usually 大嘴鷸, 大嘴鴫, おおはししぎ, オオハシシギ, oo-hashi shigi, lit. 'large-billed sandpiper'. (鷸, 鴫, しぎ, シギ, shigi, is actually a very general name not just for sandpiper, but for any member of the sandpiper family, the Scolopacidae.) Rakusan instead wrote 大鴫, oo-shigi, lit. 'large sandpiper'. Since this is not recorded as a common name for the dowitcher, it appears that here Rakusan was supplying a general description rather than a species name.


Related Designs:
Other designs with lotus:
68

Other designs with various shorebirds:
29alt 29 51 125