[modernly supplied title]
薔薇に頰白
bara ni hoojiro
Rose and Meadow Bunting
バラにホオジロ
Edition I (only edition): | 篁子生 | Kou-shi-sei | + Seal A |
The signature 篁子生, Kou-shi-sei forms the basis of the titles for both series in the 篁子生画選, Koushisei Gasen, Project. However on woodblock prints it is an uncommon signature variation used with only a few designs. Its first known use is on this print 101-1. Rakusan soon elaborated this signature to 楽山篁子生, Raku-zan Kou-shi-sei, which is found on most later woodblock prints.
[For illustration of seals listed by seal code letter, see the Seals article.]
Series History and Definitions:Rakusan arranged the Fan Series prints into shared-subject groups typically consisting of one design in each of five different fan silhouette shapes. Each of these groups of Fan Series designs are united by a corresponding polychrome 36 Series design which defines the subject. Each shared-subject Fan Series group and its 36 Series design together comprise a theme (画題, gadai).
Rakusan did not include the Fan Series in his main sequence numbering. Therefore, the original number used for each of the 36 Series prints has been modified to identify the Fan Series members of its theme. The five different fan silhouette shapes have been here assigned arbitrary numbers 1 through 5. To indicate a fan design these shape designations are added to the 36 Series number separated by a hyphen. In themes which contain duplicated fan shapes, one has been arbitrarily designated A and the other B. 101-1 indicates that this is a Fan Series design with fan shape 1 in the 101 Rose theme. Like all other designs in this series, 101-1 was only produced in a single print run, and few copies are currently documented.
Theme History:Rakusan had originally intended to have two rose themes, but he changed his mind after having produced a total of six fan designs and two original paintings intended for the 36 Series. The six rose fan designs which became the 101 Rose theme represent the amalgamation of designs for both of those early incomplete rose groups. As a result, the 101 Rose theme has one design each of fan shapes 1, 2, 4, and 5; and two designs with fan shape 3. (Although the result appears to be a regular fan quintet with and extra design 3, this is probably coincidental, and both early groups were likely incomplete.) Because these designs are in different styles, aside from the duplicated fan shape 3 designs which were obviously in different groups, the original groups of the others cannot be determined.
Installment one has two irregular themes. The 101 Rose theme had six designs. The 102 Iris theme was also the result of a similar early merger of two groups and ended up with four designs. The remainder of the installment quota of fifteen designs in three themes came from the five designs in the perfectly regular quintet of the 103 Tree-peony theme.
Description:The composition of 101-1 includes a single rose which has lost all of its petals on a stem with leaves. Sitting on the stem is a meadow bunting singing. The design is a successful negative, with the areas of light and dark on the bird correctly reversed. Oddly, and not entirely effectively, the leaves and part of the bird are outlined with a lines of dots or dashes. The remaining elements are essentially simple line drawings.
The woodblock print of 101-1 was modeled closely on an actual-size original sumi sketch which although lost can be reconstructed by digitally reversing the image of the woodblock print:
![]() 101-1 as originally drawn (reconstruction) |
(Siberian) Meadow Bunting, Emberiza cioides, 頰白, 頬白, 画眉鳥, 黄道眉, ほおじろ, ホオジロ, hoo-jiro, lit. 'cheek-white', is a common native species in Japan.
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101-2 | 101-3A | 101-3B | 101-4 | 101-5 | 101 |
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7 |
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8 | 126-3 |