[modernly supplied title]
石榴に小鳥
zakuro ni kotori
Pomegranate and Songbird
ザクロに小鳥
Edition I (only edition): | 楽山篁子生 | Raku-zan Kou-shi-sei | + Seal C |
[For illustration of seals listed by seal code letter, see the Seals article.]
Series History and Definitions:Rakusan arranged the Fan Series prints into shared-subject groups typically consisting of one design in each of five different fan silhouette shapes. Each of these groups of Fan Series designs are united by a corresponding polychrome 36 Series design which defines the subject. Each shared-subject Fan Series group and its 36 Series design together comprise a theme (画題, gadai).
Rakusan did not include the Fan Series in his main sequence numbering. Therefore, the original number used for each of the 36 Series prints has been modified to identify the Fan Series members of its theme. The five different fan silhouette shapes have been here assigned arbitrary numbers 1 through 5. To indicate a fan design these shape designations are added to the 36 Series number separated by a hyphen. 112-2 is the Fan Series design with fan shape 2 in the 112 Pomegranate theme. Like all other designs in this series, 112-2 was only produced in a single print run, and few copies are currently documented.
Theme History:The individual designs in the 112 Pomegranate theme were completed in at least two stages. Two of the five fan designs (including 112-2) and the 36 Series design 112 have seal C which indicates a carving date during the first half of 1934. One of the other fan designs (112-3) has seal R which is a rare minor seal whose carving period has yet to be established. The other two fan designs have seal B which indicates a later carving period closer to the time of publication.
In early 1934 when Rakusan did a major rearrangement of his themes, all three themes with fruit subjects (what became themes 110, 111, and 112) ended up as installment four. (They are also consecutive with theme 109, the only vegetable subject theme.) Additionally, into each of the three themes in installment four Rakusan incorporated a single design taken from the same outside source, Ten Bamboo Studio Manual of Painting, 十竹斎書画譜, Jitchikusai Shogafu. In the 112 Pomegranate theme, this outside design is one of the later seal B designs, 112-4, part of which is in a style different from all of the others in the theme.
At least some pomegranate designs were adapted from sketches originally created in the late 1920s during the planning of designs 18 and 78 of the earlier 100 Series (see below).
Description:The woodblock print of 112-2 was modeled closely on an actual-size original sumi sketch which although lost can be reconstructed by digitally reversing the image of the woodblock print:
![]() 112-2 as originally drawn (reconstruction) |
The small passerine bird in 112-2 remains unidentified. Its most distinctive features are a strong eye-ring and a black mask. There may or may not be some dark markings on the outer wing and tail feathers, but the rest of the bird is apparently a solid color. It has been temporarily called 'songbird' here, 小鳥, ko-tori, lit. 'small-bird'. Another temporary alternative name could be 雀, suzume, which remains a very common general name for any sort of small sparrow or sparrow-like bird in modern Japanese.
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112-1 | 112-3 | 112-4 | 112-5 | 112 |
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18alt | 18 | 78 |