ダリヤ [from earlier folio]
dariya
Dahlia
ダリア
Edition I (only edition): | [no signature] | Seal C |
[For illustration of seals listed by seal code letter, see the Seals article.]
Series History and Definitions:Rakusan arranged the Fan Series prints into shared-subject groups typically consisting of one design in each of five different fan silhouette shapes. Each of these groups of Fan Series designs are united by a corresponding polychrome 36 Series design which defines the subject. Each shared-subject Fan Series group and its 36 Series design together comprise a theme (画題, gadai).
Rakusan did not include the Fan Series in his main sequence numbering. Therefore, the original number used for each of the 36 Series prints has been modified to identify the Fan Series members of its theme. The five different fan silhouette shapes have been here assigned arbitrary numbers 1 through 5. To indicate a fan design these shape designations are added to the 36 Series number separated by a hyphen. 115-3 is the Fan Series design with fan shape 3 in the 115 Dahlia theme. Like all other designs in this series, 115-3 was only produced in a single print run, and few copies are currently documented.
Theme History:The 115 Dahlia theme is one of the many entirely regular themes represented by a complete fan quintet and a color woodblock print. The Fan Series prints of the 115 Dahlia theme were distributed in the summer of 1934 in installment five (of twelve). In the preview announcement on the installment four folio in June 1934, Rakusan used ダリヤ, dariya, 'dahlia' as the title for this theme. The delivery documents for installment five remain to be discovered, but its delivery month was either July or August 1934. The woodblock prints would have been printed earlier in the same month as their distribution. The Fan Series dahlia prints were carved in two stages. Three prints (including 115-3) have seal C from the first half of 1934, and the other two and the 36 Series design 115 have seal B which is later and closer to the time of publication.
Some of the dahlia designs were adapted from sketches originally created in the late 1920s for design 94 of the earlier 100 Series (see below). However, because the Fan Series designs include other varieties of dahlia, it is evident that the subject of the 115 Dahlia theme is dahlias in general and not any particular variety.
Description:The woodblock print of 115-3 was modeled closely on an actual-size original sumi sketch which although lost can be reconstructed by digitally reversing the image of the woodblock print:
![]() 115-3 as originally drawn (reconstruction) |
The Western name Dahlia has been variously borrowed into Japanese as だりや, ダリヤ, dariya; ダリア, daria; ダーリヤ, daariya; and ダーリア, daaria. However, Rakusan invariably used the dariya spelling (だりや in handwriting as in the title caption of 94 in the 100 Series , and ダリヤ in machine-printing, as on the Fan Series installment four folio envelope). However, modern botanical practice is to use ダリア, daria. (In writing a foreign word, katakana is always preferred today.) An older name was 天竺牡丹, tenjiku-botan, lit. 'Indian treepeony' (referring to India, although the plants are originally Central American).
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115-1 | 115-2 | 115-4 | 115-5 | 115 |
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94 |