寒牡丹 [from folio]
kanbotan
Winter Tree-peony
カンボタン
Edition I (only edition): | 楽山篁子生 | Raku-zan Kou-shi-sei | + Seal C |
[For illustration of seals listed by seal code letter, see the Seals article.]
Series History and Definitions:Rakusan arranged the Fan Series prints into shared-subject groups typically consisting of one design in each of five different fan silhouette shapes. Each of these groups of Fan Series designs are united by a corresponding polychrome 36 Series design which defines the subject. Each shared-subject Fan Series group and its 36 Series design together comprise a theme (画題, gadai).
Rakusan did not include the Fan Series in his main sequence numbering. Therefore, the original number used for each of the 36 Series prints has been modified to identify the Fan Series members of its theme. The five different fan silhouette shapes have been here assigned arbitrary numbers 1 through 5. To indicate a fan design these shape designations are added to the 36 Series number separated by a hyphen. 117-2 is the Fan Series design with fan shape 2 in the 117 Winter Tree-peony theme. Like all other designs in this series, 117-2 was only produced in a single print run, and few copies are currently documented.
Theme History:Earlier in the 36 Series Rakusan had created another tree-peony theme. That earlier 103 Tree-peony theme is also perfectly regular in arrangement and content, but each of those designs bears early signature and seal markings. The designs in the two tree-peony themes also differ in execution with the petals in the 117 Winter Tree-peony theme filled with scribed parallel lines, and those in the 103 Tree-peony theme more silhouette-like. The 103 Tree-peony theme represents a separate earlier addition to the series which (apart from its related subject) is entirely distinct from the 117 Winter Tree-peony theme.
At least some of the designs in the 117 Winter Tree-peony theme were adapted from sketches originally created in the late 1920s during the planning of design 11 in the earlier 100 Series (see below). Similarly, the designs in the 103 Tree-peony theme were adapted from sketches for design 10.
117-2 and all but one of the other designs in the 117 Winter Tree-peony theme have seal C, including the 36 Series design 117. This suggests that all of their wooden blocks were carved during the first half of 1934. Rakusan deliberately delayed printing for several months after those blocks were ready. 117-1, the remaining design was carved later to complete infilling the quintet, perhaps only just before publication.
Description:The woodblock print of 117-2 was modeled closely on an actual-size original sumi sketch which although lost can be reconstructed by digitally reversing the image of the woodblock print:
![]() 117-2 as originally drawn (reconstruction) |
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117-1 | 117-3 | 117-4 | 117-5 | 117 |
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11alt | 11 |
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103-1 | 103-2 | 103-3 | 103-4 | 103-5 | 103 |
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10 |